"A particular fragrance on a hillside, a stolen glance in a restaurant, a body brush in a crowded street, a particular posture by a passenger in an elevator, a flash of memory during daily conversations, the sound of familiar words in one's native tongue heard from an adjoining car at a red traffic light - each of these sensory reports activates private memories and intensifies the feeling of displacement, a feeling that one may have suppressed in order to get on with life. However, just as frequently and powerfully, these very reports may serve the opposite function of restoration and emplacement - by reestablishing connections."
An Accented Cinema : Exilic and Diasporic Filmmaking by Hamid Naficy, pg 28.
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